Please use this identifier to cite or link to this item: http://inet.vidyasagar.ac.in:8080/jspui/handle/123456789/5868
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dc.contributor.authorMukhopadhyay, Debaditya-
dc.date.accessioned2021-02-23T07:08:29Z-
dc.date.available2021-02-23T07:08:29Z-
dc.date.issued2021-02-
dc.identifier.issn0973-3671-
dc.identifier.urihttp://inet.vidyasagar.ac.in:8080/jspui/handle/123456789/5868-
dc.description.abstractDespite being a film about an imaginary community living in the utopic land of Wakanda, Ryan Coogler’s film Black Panther achieved a great success throughout the world. The way the film managed to strike a chord with black people of both African and African-American origin, appears interesting in particular, as it features a serious antagonism between characters representing these two groups as its main crisis. This article will offer a study of the film’s politics for explaining how the film managed to find acceptance by tracing its similarities with the ideology of Afropolitanism. The study will explicate these ideas by way of a close reading of significant sections of the film and referring to the concept of Afropolitanism as well as the real-life conflicts between the Africans and African-Americans.en_US
dc.language.isoenen_US
dc.publisherRegistrar, Vidyasagar University, Midnapore, Paschim Medinipur, West Bengal, India, 721102en_US
dc.relation.ispartofseriesJournal of the Department of English;Vol. 14-
dc.subjectblack pantheren_US
dc.subjectAfricanen_US
dc.subjectAfrican-Americanen_US
dc.subjectantagonismen_US
dc.subjectAfropolitanismen_US
dc.titleFighting Separatism with Afropolitanism: A Reading of the Politics of Ryan Coogler’s Black Panther (2018)en_US
dc.typeArticleen_US
Appears in Collections:Journal of the Department of English - Vol 14 [2021]

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