Please use this identifier to cite or link to this item: http://inet.vidyasagar.ac.in:8080/jspui/handle/123456789/1859
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dc.contributor.authorMandal, Keya-
dc.date.accessioned2018-06-13T09:44:34Z-
dc.date.available2018-06-13T09:44:34Z-
dc.date.issued2016-
dc.identifier.issn2321-0834-
dc.identifier.urihttp://inet.vidyasagar.ac.in:8080/jspui/handle/123456789/1859-
dc.description.abstractThis paper discusses the lot of patuas of the south-western part of West Bengal (the undivided district of Medinipur). These scroll painters or chitrakaras are professional artists (craftsmen) by caste, now in straitened conditions. Both the Central and State Governments attempt to eradicate their poverty. This paper investigates the effect of governmental action and how these artists have fared in a post-colonial era, especially in a situation of commercialized cash economy in a globalised worlden_US
dc.language.isoen_USen_US
dc.publisherVidyasagar University , Midnapore , West Bengal , Indiaen_US
dc.relation.ispartofseriesVidyasagar University Journal of History;2015-2016-
dc.subjectChitrakarasen_US
dc.subjectMedinipuren_US
dc.subjectDevelopmenten_US
dc.subjectCraftsmenen_US
dc.subjectGovernmenten_US
dc.subjectGlobalisationen_US
dc.titleThe Patuas of Medinipur and the Government in a Globalised Contexten_US
dc.typeArticleen_US
Appears in Collections:Vidyasagar University Journal of History Vol 4 [2015-2016]

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